Features
Feature: Pisceze On Genre Blending, Asian Culture, Gaming and Giving Back
Pisceze can do it all. The genre-blending artist has taken Canada by storm, releasing bops like “Dodging Bullets,” “Red Handed” and “Five” to great reception. With a unique Korean-Japanese background juxtaposed with her Canadian upbringing, one would be remiss to try to fit Pisceze into a box. Rather, the multi-hyphenate infuses elements of R&B and K-pop in her music with vocals that captivate a wide variety of listeners. Her latest single, “Crush (Sped Up)” featuring 12AM was released just in time for Halloween weekend (Oct. 28).
Her efforts have been paying off. Pisceze was listed in Complex Canada’s “Top 6 Canadian Artists You’ve Been Sleeping On.” She is part of RBC’s notable “19 Rising Canadian Music Artists” to join First Up with RBCxMusic. Earlier this year, she made Triller’s renowned Artist Spotlight.
In addition to creating genre-defying sonic cocktails, Pisceze has written for some of the biggest artists in the game, is a makeup and beauty entrepreneur, and consistently streams gaming content on Twitch. Besides her immeasurable talent, the artist has overcome insurmountable odds including a tough educational upbringing and homelessness to give back to her community through fundraisers and clothing drive efforts.
Terzel Ron spoke to the multi-hyphenate to pick her brain about her music, emotions, upbringing and education, captivating visuals and future goals as she takes the music world (amongst others) by storm.
First things first. I love your name! Are you actually a Pisces?
No, I’m a Scorpio. Haha yes, I’m a Pisces!
What part of being a pisces do you most identify with to choose it as your name?
Emotional. Very emotional. I mean, a lot of people, I feel like, kind of take being emotional as a bad thing, as a bad thing or something that’s weak, but I feel like that’s there it’s a very powerful thing when you know how to embrace and be in in tune with your emotions, especially, like, creating in this time.
A lot of people in this generation are in that, like, I don’t care vibe. For me, I’m always choosing my emotions. If something makes me sad, I’m going to always embrace that I’m sad. And if something is making me happy, I’m always going to embrace that I’m happy.
I feel like a lot of people should know how to be in tune with their emotions.
Absolutely. Yeah. Even in this generation, people don’t really know how to express their emotions. Right. And I used to be that person where I didn’t know. Coming from an Asian household, we’re not really allowed to express our emotions because it kind of gets shut down.
Interesting. By your parents or by your community?
The Asian culture, you know, with my family growing up, was very strict. I’d come home with, like, a B plus, and I’d be like, ‘why wasn’t it an A?’ Like, it was never good enough. But I mean, I don’t regret it just because it molded into the person that I am right now. I’ve learned to express my emotions through my music, and that was probably, like, the easiest for me to express it. And then, you know, I’m kind of molded into, like, expressing how I feel in my day to day life.
So, say for example you had a tough day and your parent’s wouldn’t necessarily understand. Would you go to the studio and make a song or go to your room and experiment with itunes and make your own music?
Yeah, basically, even if it’s not from my parents, like anything, like friendship, relationship, any emotion that I feel, I feel like it comes from my creativity. It comes from my emotions.
You mentioned that you’re both Korean and Japanese. Has there been a sort of clash of those two separate cultures that you’ve had to overcome while growing up? For example, have you ever felt like you needed to be more one thing and less of the other thing?
Of course. My mom is Korean, my dad is Japanese, and both cultures are very traditional in different ways. So, yeah, growing up I was a little bit confused because my mom’s side would tell me one thing, like what tradition and culture is to her. And then my dad’s side would be like, no, this is culture, and stuff like that. And even like learning the language growing up, it’s like, ‘this has to be your first language.’ Oh, no, ‘this has to be your first language.’
Oh wow. Are you fluent in both?
Yes, both. So actually my first language is Japanese and then my mom kind of took over and was like, no, you need to learn how to speak Korean only. So I’m very fluent in Korean because my mom decided to just talk and communicate with me in Korean only in the house. Music wise, I haven’t really tapped into the J-pop side, but I’m very tapped into K-pop.
Yeah, ‘Crush’ definitely sounded like more of a K-pop kind of record in comparison to ‘Red Handed.’
Yeah. And then that’s basically how my music kind of came about, too, because, like, the culture, like, the style, the aesthetic, it really comes from taking it from my culture.
When I heard ‘Crush,’ I was like, this is, like, really good. This is kind of soulful. But also, some elements of K-pop. So you definitely have a lot of different styles of music infused in your music. Would you say it’s kind of like your own genre in a way to infuse all of these types of elements?
Yes and no, just because I’m still in the process of finding my sound. I am very into rock and punk music, and I try to incorporate that into my music and try to make it have a vibe where it’s like R&B, but it has some of the rock elements. And then I hear K-pop, and I’m like, Whoa, this is so cool. I know how to speak Korean, so let me try something and try to infuse the R&B melodies within different productions.
Where did you grow up?
I actually grew up well, I grew up everywhere, so I was born and raised in Japan Sunday, and then my parents decided to go to BC, so we were in BC. I didn’t really explore BC just because we were, like, struggling a little bit in that. And then we actually came to Mississauga, chilled there for a little bit, and then went to Oakville and then Toronto
Wow. So it really was, like, a lot of movement. Was there a reason for that?
Yeah. I mean, a lot has to do with my parents and their side not accepting each other. At what age would you say that you decided, I’m a musician. Like, this is what I do. This is who I am.
Wow. What was the catalyst for that? What made you realize that?
Okay, so three years ago, there was, like, a period of my time where I was writing for a lot of these artists within the city, and I was getting invited to songwriting camps, and I was writing for BTS, Sabrina Carpenter. Getting invited to these writing camps. And then my friends were like, why don’t you just start doing music? And I’m like, I don’t know.
So you were writing and were you more of a writer than a person who makes the music?
Yeah, I just wanted to be a writer. I like to be in a low-key show vibe, behind the scenes. Yes. But my friends really pushed me to put out music, and it’s crazy, because the first song I released, I was like, ‘no, I’m not showing my face.’ I want to be this behind the scenes type of artist. Remember how the Weekend was when he first came out? I like that. And then even my first music video like that. You can’t even see my face. It’s, like, cut off like this.
So would you say that song three years ago was your first song as PISCEZE?
Yeah, that was my very first song. “Like that.” Like that. It made me who I am right now.
Look what you’ve done in three years. It’s amazing. How did you get into songwriting?
I used to write a lot of poetry, too, back in the day. So one day I was in a session with this artist, and I was just like, Just do it like this, please. Then it was, ‘okay, go in the booth and show me what you’re talking about.’ And I literally just laid out some melodies, and he just kept inviting me back into the sessions. And then after that, I really grew, like, a passion to write music and get some ideas for these artists. And then I kind of reached out to people that I knew that were already producing for these artists and their artist camps and stuff like that.
Were you still in school during this whole time?
No, I was actually doing makeup.
So you went from a makeup artist to being a musician?
Yeah, I went from making clothes. I went to school for fashion – I went to university very early, because I skipped a grade. So 16, I went to university. I went to to fashion school, and then I was actually on probation my, I think, second year because I had a teacher that I believe was racist, and she failed me because she said that I didn’t sell my own dressing. We went to Ryerson Court, where you can actually go to court and prove yourself. I won. I literally sold the pieces. Whatever. And then it just kind of like I just kind of lost taste in fashion because of that. But I still love fashion. I still love parts of fashion, but going through the whole university side of fashion, I lost.
What was your upbringing like?
I was just, like, this little emo kid, and I got into a lot of fights. I got expelled from one of my elementary school, and my parents were like, oh, my God, what’s wrong with my daughter? Our daughter? And they put me into an all girls private school, and then it made me worse. And then they were just like, if you get good grades, then we’ll put you in a quad school for high school. So I skipped the grade, and then they put me into a quad.
You went from being expelled to skipping a grade?
When the odds are against me, I go hard. I went from grade seven to grade nine. I went to a quiet school. This is where I really studied on changing up my looks and really knowing how to do my makeup. Just coming up to your own like, being your own person. In grade nine, I got asked to prom by a senior. I’m like, okay, I got gassed a little bit. And then from there, I was just yeah. My focus is not on my studies. It was on boys, to be honest. Yeah.
Talk to me about entrepreneurship with makeup.
I started working for Anastasia Beverly Hills. She actually hit me on my DM. Because on my Instagram, on my makeup Instagram. Back then, I used to do these makeup videos, and one of them really just hit off. It got like 2.3 million views. It just went viral. And then she messaged me. She’s like, hey, would you like to work with me and make me? I love her. Shout out to Anastasia. But retail wasn’t my thing. She was trying to expand to Canada. So she opened her first Canadian retail shop at Eaton center, and she asked me to work there and represent. Yeah, I was like, that’s amazing. And, yeah, I worked there for a bit and then just found out that retail was in my bank. I did that part time and then I did my makeup thing on social media. That’s how I made my income. And then I just really tapped into the music side and yeah, that’s how it kind of happened.
That’s awesome. And I noticed one thing that you’d like to do is give back. So you’re always giving back. And doing school giveaways, where did that come from?
Honestly, it’s because me and my family lived in a car for like twelve months. Not having anything and to see my parents still giving, and then their blessings came. So I’m really a true believer of you give or you get what you give.
What made you focus on the back to school stuff and helping, whether it’s a local artist, or throwing concerts. This is a whole entrepreneurial venture. Have you ever thought about starting like a nonprofit?
Eventually, yes. It also comes from because I love animals, too. I always say when I’m older, my number one goal is to really travel around the world and save animals and have this huge farm with save animals.
You have a big heart.
Yeah. It’s like you just want to help everything and everybody and then cry and make music. Basically, and even the back to school stuff. Growing up, I was not very fortunate to have these cool items and stuff. And I know how it is when you’re young and when you’re it, and you want these cool pencils and backpacks and stuff, so I just wanted to do that for the kids.
What are five things that are so near dear to you that make you you?
God. First of all, second, energy. Third, my family. Fourth, probably my heart. And the fifth, my team.
Give me some gaming tips. What’s the first game I should start playing?
Call of Duty, because honestly, it’s a shooting game, right? If you’re good at Call of Duty, you’re really good at every other shooting game. So you can be good at Apex, Fortnite, Battlefield, Halo, etc.
You want a sponsorship from Call of Duty one day?
Of course. Very much. Follow my gamer tag on Xbox at Pisceze.
Digital Cover
Feature: Ray Garrison (Silos Band)
Ray Garrison is a writer, producer, and EDM DJ based in Los Angeles, CA. The multi-dimensional artist blends the genres of Pop, Heavy Metal, and Nu Metal. In 2022, the Garrison teamed up with David Rhemann, the drummer for Grandson, to create the Silos band.
The band includes members Philip “Proto” Nielsen (bass), Nick Dromin (guitar), and Ramon Blanco. They are currently signed to Judge & Jury Records and released their first single, “Flowers” – a new take on Miley Cyrus‘ acclaimed hit – on March 17, 2023.
Sound of U Live caught up with Silos frontman Ray Garrison to talk about his musical journey, upcoming projects, and more.
When did your music journey begin?
I wanted to be able to record myself playing guitar and uh like I was listening to Blink-182, and I wanted to like the guitar melodies that made me feel like I was high or something so I was like I wanted to be able to do that myself and make it home. Iit really just started with me wanting to be able to listen to myself and then later I was like, ‘oh it would be cool if other people listen too.’
Who are your top three inspirations?
Blink 182, Eminem and Bring Me The Horizon.
When did you begin taking it really seriously?
When I was 16. I would drive home from private school and there was this pro audio shop that was on the way home in downtown Atlanta. I knew that like all the big Atlanta producers got their gear from there, like Jermaine Dupree, Bush Walker, all these big time guys. I would just stop in there and look at stuff and then I would eventually show the guy at the front of my demos and he was like, ‘oh this is cool.’ That was where it started and then I learned a lot from them.
Were you self-taught from there?
Yeah, you know, I was a combination of self taught and then every time I went into the studio to record I like was a mutant fly on the wall. I was extra attentive and asked a lot of questions. Just like information.
When did you join Silos?
Silos was born in November of 2022. I was a solo artist, and then my friend David just parted ways with Grandson, and he wanted to be in a project that was more oriented around a band. And at the time, I needed a good drummer, and I really liked David.
I’d known him for years, and I always wanted to work with him. So we kind of had a meeting, a lunch, and then decided to start working on a new project. And almost instantly, I knew I was going to no longer do a solo artist thing.
And I was going to just mix. Just like natural chemistry.
Do you guys have any music coming out for the rest of the year?
We got a song coming out in June with DJ, with someone coming out in July with Escape the Fate. Nice. The title of the next one is ‘Hold Me Close.’ Right now, we’re putting out all singles from the album. So, I think that album is going to drop in the fall. It’s going to be on vinyl and CD.
Are there any dream collaborations that you have?
I’d love to do a song with Oli Sykes from Bring Me the Horizon. I’d say it’s a closer goal, within two years.
Is there anything that you think people should know about you?
Yeah, we have an awesome fan base emerging. We have a Discord where we’re in touch with our fans and kind of have a continuous conversation. So I’m going to plug that. “Silos Fandom.” There’s a link for it on our Instagram stories highlights.
Features
Feature: Devon Thompson
What are you looking forward to the most in 2024?
No bullshit. No bullshit 2024. That’s what I’m looking forward to. I’m gonna like leave all the negative stuff behind and like try and change my mindset about certain things. So I feel like that’s, and also work harder and practice more. Just be more disciplined within myself, I think.
Can we say what those certain things are?
Yeah, practice sitting down and practicing my guitar every single day more. Because, it gets hard like when you play shows it’s easy to just like only play when you’re at shows or during band practice for me I want to sit down and be disciplined also not beat myself up over stuff that I can’t control.
A lot of people are really upset with themselves when they like especially living here when you feel like and you’re an artist and you feel like, ‘God, I wish I was doing more. I wish I could. Why don’t I have this, why don’t I have this,’ like you can’t control that the only thing you can control is your personal growth and what you put into it and like you know if if you got something like it you’ll get it out if you really work hard. You can’t just sit around, you can’t expect it to come to you. You have to work for it. I think that’s a really good piece of advice to give artists in general because you know we’re in a new game social media, and a lot of it is like creating content yourself, and I know artists are making a lot more of their own music videos in a way that I’ve never seen before, have you noticed that? – I have noticed that because, you know, TikTok did that. TikTok made like making your own mini music video a thing. So I actually think it’s amazing because it allows artists to have more freedom with what you do.
I think that’s really special and it’s really, but it’s also really, really hard to do that, because this is what you have to do. Every day, I’ve struggled with that. I used to hate it and now I’ve like changed my mindset we’re like no I’m gonna like do this and embrace it and really show people like what I’m about.
I think everything is easier when you have a team of people and people who just really like add to your circle as time goes on. They see your mission and your vision.
Has it been easy for you to find your team?
It, surprisingly, has been easy. It’s because I’ve been putting myself out there. It’s been easier. And I have a wonderful team that I’m working with right now already.
But I’m always looking for, like, expansion. We need more people involved. We need all the people involved. You know, your fans are your team. You know, you are your team. Like, everyone a part of it is important.
So, like, that being said, I’m always looking for new kingdom. to work with and being over minded So like I feel like it’s easier now.
What other goals do you have for the year?
My goals are to be be more social. I can easily double down and just just be by myself and working on stuff, but my plan this year is to make more friends and to be more social with my family, friends and with new people. I push myself further this year. My music breaks down barriers and standards for female guitar players. It’s a big one, because we’re still it’s still really stigmatized.
Talk to me about that stigma that female guitar players face.
So many women are scared to play guitar, and a lot of them tell me they’re like I am too scared to get up there and play it or even if they do play if they’re like, um, ‘I’m the rhythm guitar player,’ or whatever. You don’t see a lot of female guitar players out there because it’s so stigmatized. If they’re not like an insane shredder people are like you got them stuck it happens so much and i’m a Gibson sponsored artist, so i they saw something in me that gave me hope to keep pushing myself so now i tend to only play in three pieces. I’m the lead guitar player and lead vocalist this year. That’s what I’m going to push on people because I have some really not that good like okay like that’s fine.
It used to get to me and now I’m like just use that to practice practice and be disciplined and safe off it just do it you know that’s what I’m doing.
Do you think that female artists in general also get that sort of stigma and is it coming from the butthurt men?
Absolutely. Yeah, no totally. It’s the main the main thing like I get comments online that are like, you know They can be really really derogatory and and it’s you know what it’s Generally men or very jealous women who don’t like themselves and hate their lives. And I’m like, ‘why do girls girls hate me? Why do certain men hate me?’
And it’s nothing that you’ve done. It’s just you have to remember that there are people that just love to hate you out there.
They love it, especially because you’re doing what they want to do. They want to do what you’re doing. And you just have to, like, you literally just have to understand and recognize the personality traits. They’re like, no, that is not a person who is cool or, like, wants to help or even knows what they’re talking about. about, you know what I mean? Tell us a bit about the music that you have dropping this year though. Do we have anything to look forward to in the first few months? Actually, I have a new single coming out in like a week and a half. And my goal for this year is to have a songwriter and I want to be a part of it. really, really creative with what I’m doing this year. All my music videos are like mini movies type situations, like the Twilight Zone kind of, and I like creating… I really just want to pay homage to the universe and a whole… I mean, to put it simply, a sort of vibe on everything.
Like with my branding, with my merch, like this is… is I don’t know if you can see it – oh I have a lot of teeth in in like my merch stuff like that and in my songs just like really Really visceral and really guttural, but also have been also with an imperial edge And I want my music videos to translate that it’s gonna mean soon So I want to be cohesive so new singles out and then we’re gonna have and I have a lot of music dropping this year. And I’m playing a lot of shows shows and that’s what’s been happening this year So yeah in January 17th.
What’s are you releasing?
It’s called I love you, but it hurts like hell.
Who are some of your favorite musical inspirations from Los Angeles?
Well, I don’t don’t sound anything like her, but I love Phoebe Bridger’s ability to be anti. So like what LA is not, and I think that’s really cool.
So I like that she can do that. How about some of your most influential artists that you listen to growing up that have really kicked yourself? Yeah, growing up. Blondie is a big one for me.
I have a lot of 80s music and 70s music. has really shaped what I do. So Blondie and then a big big goth like inspiration to me, Suzy and the band she’s really big and then some newer stuff like or kind of newer some like some deftome stuff some my bloody Valentine stuff and it’s harder for me to find newer inspirations just because like I don’t know it’s just it’s it’s hard it’s hard for me and then uh yeah so
those are some of my inspirations for sure. Dice was there anything else that you want to grab about before being grabbed? Yeah I think that a lot of people don’t talk about again what I said before about how disparaging this can be and how how much self -doubt can be involved with this um and I have been my worst enemy base in doing this and um you know my I think a lot of that has to do with people you surround yourself with. You can tell who really supports you and who doesn’t and who are out to get you, who poses your friends, but they’re not. Make sure you surround yourself with loving people and people who value you really.
Some talk about it enough here, especially with people who aren’t from here and who are from here. It’s just like both. So find the right people who lift you up. Both of you guys are in a relationship sort of thing. And also, just walk out of the bullshit. It’s what I’m going to do this year and I’m going to work on it.
So for everyone who’s struggling out there with, you know, artist identity, sort of the like, “What am I doing?” You’re here for a reason, you’re here for a reason. And just believe in yourself. Believe in yourself.
Don’t talk but thank you for your time. Thank you so much.
Features
Feature: Leonte
Leonte here! Tell us a little bit about the different things that you do.
Yeah, so I mean, first and foremost, I’m a person. And I like to be that way. I come with a lot of emotions and a lot of ideas and feelings that I bring into my art and my work. I’m a model. I love to create very vivid images and stuff with posing and stuff like that. I’m also a creative director for a magazine called Lex Style Mag. It’s about creating a vibe between fashion and music, and really creating a home for that to collaborate and become real is something important for us.
But I also make music. I’m a singer. I make like alternative R&B, pop and rock vibes. I’m really just taking all of those and really just adding my own spice into it, adding a little bit of me and really my goal with that music is to create an environment and create an environment where people can feel emotions that they may not you know be privy to or may not have understanding of but you know they can empathize with the pain, empathize with the joy, empathize with the yearning, love, right? I want to create an environment that you can experience those things safely amazing so how long have you been doing modeling yeah so I’ve been modeling for 10 years I’ve been singing all my life I started off in my church choir shout out yeah so for like most people that started off in the church like singing was a big part of my life it was a big part of my life I expressed myself. I started making my own music physically about a year and a half, two years ago, is when I actually started that.
How has your journey in fashion really impacted your journey into music?
Honestly, I think the fashion in the music industry is so interwoven that it was like a seamless transition. I went from, you know, trying to figure out how to… create very vivid pictures and, you know, how to do really crazy poses to, like, saying, “Well, how do I create a vivid sound with my voice?
If I do this type of movement while I’m singing, will the sound come out differently from this?” Right? So everything just kind of translated differently, right? Saying like, “Okay, well, when I do this performance, I want to wear this type of outfit so that it conveys this message while I’m performing this song.” Right? Really aligning the fashion with the music and the tone with the environment to create a full image and a full picture is kind of where that fashion piece really really locked me in.
As you said, you are now involved in the magazine. What has it been like going from being the model to being the subject and actually having that creative control?
Honestly, becoming the creative director of Lex Style magazine is one of my biggest accomplishments today. I think being in charge of the visual outlook of a project such as Lex Style Mag has put a huge weight on my shoulders that I’d love to take on. It’s really giving me the opportunity to take my wildest dreams and put it out into a visual medium and share it with the world is something that I don’t take lightly. I think it’s something that takes a lot of time and effort, it takes a lot of attention and I think because of that I’ve been able to take all of my years of modeling and understanding what poses look good and what poses don’t.
Kind of the energy behind the photo and what clothes will look good and what poses. I’ve been really able to create really detailed outlines of like this that I want to create and I think that’s something that you know I’m looking to bring out the best in myself for this magazine and for others. I also do freelance creative direction for other brands, so it’s like always fun to be able to express myself in this place.
All of the work that you do is truly so inspirational and incredible. What do you think is the hardest part about continuing that?
Thank you so much for joining me. Being a artist and how you feel. I think the hardest part about consistently releasing creative pieces is understanding your value but also understanding the value of the people around you.
I think as, when you’re the model, everything’s centered around you and how you’re feeling and what you’re getting paid, like you’re, you know, the experience. you’re getting, but when you’re really the creative director, when you’re really at the top of that situation, it’s more about, okay, how do I make sure these people that are helping me create this vision that I have feel valued and feel, you know, I see the best of our abilities and feel comforted in these aspects. I think that’s one of the hardest things because, you know, obviously in this world, you live in and you want to cut down on costs as much as possible, but also it’s like, you want to pay. people what they’re worth, so they pay for what they’re worth. I like saw that, it’s like trying to get people with disabilities.
What has been like your biggest inspiration, both in fashion and music?
I played football in college. And so a big inspiration in my fashion sense was Odell Beckham Jr. Like, he was getting big and popular in football. His outfits on and off the field were always the same. The field outfits were always icy and dripped out with the signed sneakers, the custom likeness, you know, how he used to do it.
But then off the field, it was also him showing up to events drippy, showing his style off. I think things like that really pushed me to actually work towards being more creative with my outfits on and off the field. In terms of music, I think somebody that really inspired me was Juice Wrld, I think I will say “Lucid Dreams” came at a time that I needed it.
And I think, you know, just that being his day… debut, like, hit that popped off for him and that was the one that caught me and then ever since, like, I listened to every single song that he put out like, that was someone that really inspired me to be more of a leader, but he also inspired me to just be creative, I don’t think you could ever say, “Oh, Juice Wrld’s gonna rap like this on this flow.” It was always something completely different than his last song, something completely, you know, new but it had the same feel, the same environment around him, right? And, you know, he had a way of talking about like really hard subjects with a light tone that made him want to party while you’re listening to it, right? Which is something that I want to create, but also different. So for mine, like, I definitely don’t take as much of the drug abuse and alcoholism into my music. It’s complex idealist, you know, abandonment. Heartfelt pain. The concept of, like, where you’re supposed to be and, you know, like flirting. I want to do, like, really, like, take those archetypes and really create stories in my music. I think that’s really what I’m focusing on right now.
I think that’s really the beauty of music. You’re able to take inspiration, and take ideas, while also interacting with your own personality, your own blood, which is so incredible and great to see from you.
And what are we?
So what I’ll say right now is there’s going to be an influx of art, an influx of modeling and an influx of music. Right now my goal is in this 2023. year are to get three good releases and build up a catalog behind them so that I have a lot to push out for everybody, as well as create four really good covers and magazines to release out to the public and to collaborate with as many talented artists as I can. Like my goal is not to get up there by myself, my goal is to bring everybody out here at 50 and I think that when we create a community of people that support each other and uplift each other in this fashion and music space, that’s when we really drive, right? Because you’re only as good as your network, and it’s only as good as how many people you have with you in your team, right? And, you know, what they like to say is network federally, don’t network forward.
Because you never know who in your circle is going to be the next one up, and you’re all riding together. So that’s going to be good. there. So, it just supports people around you, it supports the day one, it’s going to come the day zero, it’s going to rock. Well, I am so very excited to see what’s next for Beyonce. Everybody should be on the watch for what’s coming next. He’s going to be hitting us with new music, have sure new books, new shoots. So please be on the lookout for him!
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Music2 years ago
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